In Memory of Jane Henson

With very great sadness we mourn the passing of one of puppetry’s greatest friends.

Jane Henson has been a loving friend to puppetry for over 50 years. Her vision and generosity created the O’Neill National Puppetry Conference, just one of many ways she helped to shape American puppetry. Jane was shy and modest. Even though she would not like the label, many of us feel that Jane will always be considered puppet royalty.

Jane’ s involvement with Puppeteers of America began in 1960 when she and Jim and baby Lisa attended their first festival. In 2000 Jane agreed to serve a term on the PofA board. Her advice was thoughtful and caring.

When a puppeteer, or a puppet really engaged Jane’ s attention her face would light up with an unforgettable sparkle.

Jane was always kind and gracious when adoring Muppet fans expressed their love and admiration.

Our heartfelt condolences to her children, Lisa, Cheryl, Heather, Brian and John.

In love and gratitude for a life of creating and supporting the art of puppetry, The Board of Puppeteers of America

http://www.henson.com/jane.html

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A Special Announcement from Puppeteers of America

Dear Puppeteers across the land,

It is with great excitement that your Board of Trustees announces the decision to partner with In the Heart of the Beast Puppet and Mask Theatre to establish a home office for our organization in Minneapolis, MN.

HOBT’s leadership is comprised of Artistic Director, Sandy Spieler and Executive Director, Loren Niemi, both of whom have extensive experience making art in an urban and social context. HOBT has an $800K annual budget with a FTE staff of eight and 40 contract artists working in their performance, education and community building programs.  Currently HOBT is located in the Avalon Theater at 1500 E. Lake Street in Minneapolis. It is a 200 seat former movie house adjacent to two bus lines, having a shared parking lot immediately adjacent to the building. They have multiple phone lines, Internet and Wi-Fi access available. They also rent 3000 sq ft. of classroom, studio and storage space at Plaza Verde, an adjacent rehabilitated commercial structure on Lake Street.

As I write, the Board of Trustees and other members of the organization are working on the initial steps in this process.  These include contracting with a CPA to make sure our financial house is in order, registering ourselves as a non-profit in the state of Minnesota, and transferring our physical resources to the HOBT facilities in Minneapolis.

PofA’s appointed Executive Director Search Committee has posted a very detailed job description on local (MN) and national job sites.  We ask you to carefully read the job posting and if you know of someone who meets the qualifications and would be a good fit for us, please encourage them to apply.

The deadline for applications is March 31, 2013.

If you have any questions about these developments, please feel free to contact me or Anna Vargas, Chair of the Search Committee.  Thank you to Loren Niemi for contributing information for this announcement.    

And thank you for your continuing support,

Nick Hubbard 
President 
Board of Trustees 
The Puppeteers of America 
   

Executive Director for Puppeteers of America
www.puppeteers.org 

Puppeteers of America, a national nonprofit organization, founded in 1937, provides information, encourages performances and builds a community of people who love puppet theater.

Puppeteers of America has existed for over 75 years, sponsoring yearly festivals, producing a quarterly journal and providing many other services, all through the goodwill of our volunteer members.

Puppeteers of America is now ready to take the next step as an arts organization and is seeking to hire a professional with general management skills to serve as Executive Director. The main responsibilities are Development, Financial Management and Member Services. Salary range 37-40K plus benefits. Location : Minneapolis, MN.

Job Duties:

Development:

  • Develop, implement and maintain a comprehensive fundraising plan.

  • Develop and sustain a diverse funding base with an emphasis on grant and proposal writing, corporate and foundation giving, growing the membership base and developing an individual donor base.

  • Research, secure and manage funds from a variety of sources, and appropriate reporting to donors/grantors. Maintain complete records of fundraising efforts and donors to maximize results. 

Financial:

  • Develop and maintain sound financial systems, follow generally accepted accounting practices (GAAP).

  • Prudently manage the organization’s resources within budget guidelines, within current laws and regulations, make decisions to maximize resources and minimize waste.

  • Work with the Board Treasurer to provide the Board with monthly financial reports and to develop and present an annual budget for Board approval.

  • Work with accountants and bookkeeping service to maintain accurate and timely records and comply with state and federal reporting and withholding requirements.

General Administration:

  • Managing the Membership Office which includes data entry, membership renewals and assembling the ballot. Follow established policies and procedures, while expanding and revising to ensure Puppeteers of America is operating using best practices.

  • Prepare for anticipated growth, including training, career development, hiring and firing, succession planning and performance management for all staff.

  • Execute legal documents (jointly with designated officers) and conduct official correspondence, including mail, telephone and email.

  • Administer email and IT needs, ensuring adequate support for the Board and staff to effectively conduct the business of the Puppeteers of America.

  • Ensure adequate systems are in place to address withholding requirements, tracking of hours, benefits administration, performance management and other related human resources needs. 

Board Support:

  • Enable the Board to fulfill its governance function by: working with the Board Chair to plan monthly board meetings; working closely with the Nominating Committee to recruit, train and maintain a strong, balanced Board of Trustees; and provide the Board with frequent updates on programming, development and governance issues.

  • Serve as ex-officio board member and assist committees, as needed. Provide administrative support to the Board.

Program Management and Event Planning:

  • Expand current programming within the vision of Puppeteers of America.

  • Work with volunteers to produce regular Puppeteers of America festivals and events, with guidance from the Board.

  • Assess programs with defined indicators, both for grant reporting and annual evaluation by the Board.

Community and Public Relations:

  • Serve as a public advocate for Puppeteers of America.

  • Ensure the Puppeteers of America and its mission, programs, products and services are consistently presented in a strong, positive image to relevant stakeholders.

  • Deepen and refine all aspects of communications – from web presence to external relations with the goal of creating a stronger brand.

Qualifications:

  • Undergraduate degree required. Advanced study in the arts, non-profit management or business preferred.

  • Experience expanding an existing organization, recognition of the unique challenges of this organizational stage, and the skills/knowledge to raise it to the next level of development.

  • A minimum of 3-5 years past employment in non-profit/arts administration with demonstrated ability and leadership skills in the following areas:

    • Budgeting and management

    • Marketing and fundraising

    • Board and staff development and relations

  • Successful grant writing experience, excellent written and verbal communication skills, and the ability to serve as a prominent spokesperson.

  • Strong computer skills and familiarity with current web and media trends.

  • Capable of handling a complex workload; able to focus on the overall and long term needs of the organization while maintaining daily obligations.

Employment type:
Full time

Professional level:
Managerial

Salary range (annual, U.S. $):
37,000 – 40,000

Benefits:
Yes

Job function:
Administration

Owner’s areas of focus:
Arts

 

Please send resume with cover letter to Anna Vargas annadvargas@gmail.com by March 31, 2013. Use “Executive Director Position” in the subject line. References need to be provided upon request. By USPS: Anna Vargas 39 Besen Parkway Airmont, NY 10952

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Newest Issue of the Puppetry Journal: Fall 2012

Fall 2012 Volume 64, No. 1

COVER STORY

2  Dick Myers Puppets:  Ready to Live Again, by Seth Shaffer (Intro by Paul Eide)

PUPPETEERS OF AMERICA

4 Greetings from the new president and board, by Nicholas Hubbard

4 Announcement on the Puppetry Store,  from The Board of Trustees

27 2011 Financial Report

27 Statement of Ownership

SUMMER/FALL FESTIVALS AND CONFERENCES

5 Great Plains Regional in West Liberty, Iowa, by Paul Eide

7 Potlatch 2012, by Nancy Henk

8 The First Annual Puppet Homecoming, by Sharon Peck

10 New England Puppet Intensive, by David Lane and Peter Balkwill

12 The O’Neill Puppetry Conference, by Ronnie Burkett

14 Puppets in the Green Mountains – a Model Festival, by Andrew Periale

17 Puppet Festival (r)Evolution is Coming, by Carole D’Agostino and Spencer Lott

17 Festival Scholarships, by Donald Kruszka


REVIEWS

18 Imagination Stage’s “The Lion, the Witch and the Wardrobe,” reviewed by Randel McGee


PROFILES

19 The Olde World Puppet Theatre, by Steven Overton

28 The Man Beside Mantell, by Peter Newland


ARTICLE

24 A Swazzle in the Wilderness:  Recreating an 18th Century Early American Punch and Judy Show, by Wayne Krefting


WORKSHOP

32 Advanced Stringing Technique, or… How a Toothpick Changed My Life, by Kevin Menegus


COLUMNS

30 Scene West:   Review of activity on the West Coast, by Beth Fernandez

31 Scene Between:   Puppetry in Arkansas, by Monica Leo

33 At Large, by Paul Eide
 

PLAYBOARD,  Edited by Fred Thompson

34 Reum With a View, by M’El Reum

35 The Guild File, by Kurt Hunter

36 Eureka! by Nancy Sander

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A Tribute to Lea Wallace 1916-2012

LEA WALLACE, Oct. 9, 1916 – Nov. 20, 2012. The Puppetry Community has lost a grand and gracious lady, Lea Wallace — a force for Puppetry as a Theater Art. Born the middle child of a family of eight children in New York City, Lea, at age thirteen was awarded a modern dance scholarship to the School of Industrial Arts in NYC. In her teens, Lea danced with major US companies: Humphrey Weidman, Helen Tamiris and José Limon. By age sixteen, Lea was dancing in the chorus of a Broadway show that starred beloved comedian, Ed Wynn.

 From age four, when Lea was taken to a puppet performance by the Modicots in NYC, Lea was fascinated by Puppet Theater and its possibilities. Years later, she would combine her dance skills with Puppetry, to great acclaim.

Lea toured extensively with her first husband, Alfred Wallace; later, with her younger sister, Gia. As a solo artist, Lea created her signature Apron Stage, which, when lifted up and held in place by a cord around her neck, formed a unique puppet stage on which her beautifully-crafted hand puppets danced. Lea became a featured artist, playing the worldwide nightclub circuit, and was a guest on major TV shows.

In 1949 Lea and Gia opened the Village Dance and Puppet Center in NYC, where they combined the arts of dance and Puppetry to create a unique art form. In the nineteen-fifties they joined two USO tours to Hawaii, Wake Island, Japan and Korea. In 1960 Lea set up a showcase for puppeteers at the Greenwich Mews Theater in NYC. In 1962, Lea formed a committee that ultimately led to the creation of The Puppetry Guild of Greater New York. (Others were there from the beginning, but the credit for the Guild’s founding belongs to Lea.)

 Experimental Puppetry was always a keen interest of Lea’s. She was a tireless promoter of new and abstract ideas, images and materials in Puppetry, giving lecture-demonstrations at PofA festivals, schools and clubs. Lea was also an Educator, having graduated from Brooklyn College and receiving a Master of Arts in Speech and Theater Education from Hunter College. Lea also taught Puppetry to inner-city school children, whose lives were greatly enriched by the experience.

From 1980 to 1990, Lea ran the Gramercy Puppet Theater, housed in the Moravian Church building in Gramercy Park, performing numerous seasons there. In the summer of 1996 Lea moved to Los Angeles and was active in the local Guild, teaching a workshop on puppets and dance that was very well received.

After moving back east, Lea attended many NYC performances, and was always an engaging and vital presence at Puppetry Guild meetings in NYC. 

Lea Wallace was a stylish, attractive personage, who will be greatly missed by all who were privileged to know her.

 – Peter Lewis, (PGOGNY). Special thanks to Judy Barry Brown, Bob Brown Puppets, and Greg Williams, The Puppet Studio, for the liberal use of quotes from their splendid articles of 1983 and 1997.

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